Tag Archive for: غذا

A part of Dance in the wind

The movie Dancing in the Wind is the story of several Gulf winds, these winds blow everywhere in the Gulf, they are winds that are similar in all the cultures of the Gulf. Each of these winds has a different life story, gender and character.Some of the winds are women and some of the winds are men or children and sometimes an old wind. These winds have passed through the coastal cities of Gulf countries to reach al-Seef creek. These winds are supposed to set up a dance in a house on the water in the night when the Canopus star is shining in the sky.These winds pass through other ports of the Gulf with their different stories and pass through Al-Fahidi neighborhood and its fields to reach Al-Sif creek.

Every year, when the Canopus star is seen in the sky, they gather together in a house in Al-Sif creek and celebrate this joyous night to forget the sorrows and regrets, even the sounds and sorrows that are the memories of people.

Written and Directed by Mehdi Tangestani

DP: Mehdi Tangestani

Music by Mahmoud Piltan

Sound Design and Editing by Mehdi Tangestani

Study and Research by Zahra Kamalzadeh

Produced in September 2022, Dubai, UAE

Time : 13 minutes

Empirimental documentary

 

Stare” Review: A Mesmerizing Dive into Experimental Cinema

Mehdi Tangestani’s latest creation, “Stare,” offers a mesmerizing journey into the realms of experimental cinema. Recently showcased at a private screening hosted by the Isfahan Film Association and the Critics Club of Short Films, this film has left an indelible mark on audiences. Amir Kavianpour, a distinguished lecturer at the University of Shiraz, renowned screenwriting instructor, and esteemed critic, shares his insights on this intriguing cinematic venture.

Stare” delves into the intricate world of a married couple whose lives are shattered by a heart-wrenching incident, leading to a profound upheaval in their relationship dynamics. The narrative culminates with a poignant departure as the character Ali, coincidentally a filmmaker, abandons his recording equipment, symbolically turning away from the confines of the film industry, forever altering his perspective on the world. The allure of “Stare” lies in its meticulous attention to detail and the nuanced subtexts that underpin this experimental masterpiece, setting it apart as a rare gem in the landscape of Iranian short cinema.

 

This film-within-a-film concept perpetuates an unresolved tension that lingers until the final frame, blurring the boundaries between Tangestani’s lens and the filmmaker’s gaze within the narrative. This seamless fusion of perspectives represents a novel and progressive approach seldom witnessed in Iranian cinema, elevating “Stare” to a league of its own.

 

Dialogue serves as the cornerstone for storytelling in “Stare,” with interplays between characters and external voices driving the narrative forward. Symbolism reigns supreme in this cinematic endeavor, where the tranquil sea metamorphoses into a harbinger of unrest, its once soothing sounds now a haunting echo that resonates with viewers.

 

In “Stare,” sound takes precedence over visuals, crafting an immersive experience akin to navigating a world through impaired hearing—disorienting yet compelling. Tangestani’s adept use of soundscapes enriches the film’s experimental essence, inviting audiences to partake in a sensory journey unlike any other.

 

Dynamic dialogues punctuate pivotal moments in the film, propelling the narrative with an unparalleled vigor. Through deliberate framing choices that tease the viewer with partial glimpses and deliberate omissions, Tangestani masterfully manipulates the audience’s perception, leaving them yearning for more.

 

“Stare” transcends traditional cinematic boundaries, offering a thought-provoking and immersive experience that challenges conventions and ignites contemplation. Tangestani’s bold vision and meticulous craftsmanship converge in this cinematic marvel, solidifying “Stare” as a groundbreaking addition to the realm of experimental cinema.